Hello everybody, this is my first post! I just got an MD Mk2 and as you can imagine I was programming patterns like crazy today! I need to rest my ears now...
Tarekith wrote:Another audio only freak here, everything I do i midi is rendered to audio as soon as possible. With the MD, I tend to work in two ways:
- Record everything as audio (stereo track only) live in one pass into my DAW. Doing all the part muting, tweaking, you name it all happens live for the length of the song. Obviously this means you have to balance all the parts of the MD internally, but I have no issue with that.
- Record different mute combinations of my main pattern into my DAW as audio, then use the DAW to arrange and edit these together. For instance I might have a 4 bar pattern with just the percussion, or some percussion and HH's, or all the drums and any samples, etc. Just different combinations I think work well together as a song structure base.
Hi Tarekith! I'm not sure I follow you. Are you saying that you don't really process every MD element in your DAW individually? The basic sequencing part is one of the strengths of the MD, so that can be done without a DAW, but a whole mix? Maybe it is too early for such a statement, but my first impression tells me that I won't be eq'ing, compressing and reverberating anything inside the MD, unless it's a live situation...
Tarekith wrote:Sometimes I use a combination of the two methods too. I always record the MD at th same volume, so it's easy to go back and record a new pattern into the DAW if I think of a different idea.Does this mean that you work with extremely low levels inside the MD and your "Master Volume" is at max. all the time? Or do work with MD internal levels that are as loud as possible and attenuate the output somewhere along the way into your DAW? Just wondering how you work...