What about non-realtime sound morphing? Specify two sounds and choose a number of stages between them and the a4 tries to fill in the blanks. Then you can audition the sounds and choose any or all to keep.
You could keep going, setting your morphed sound to the start and choosing a new end sound and morphing again to come up with some exciting sounds.
An option to "lock stages to trigs" would let you experiment with more evolving, wave sequencey type sounds if you chose 16 stages or something.
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Performance mode:
Knob inversion. Whatever direction you turn one knob the other will move in the opposite.
Lag is a good idea. You could incorporate it into quantization values. Set it to "slide" to make it happen over a certain time or "jump", so you could get rhythmic stepping patterns. Pitch quantization for note values/lock to scale?
Min/max settings, for things like keeping screaming feedback away.
Only going by the manual, in case any of this is in there.
darenager wrote:No like on the monomachine step mode where you just hit a key and it advances to the next step, similar to classic step sequencers.
Press rec+stop to get it on mnm btw. This seems like it'd be especially useful when using different sounds per step. Wish it was on the OT too.
