very cool!
the thing is, i would like to use different bass notes, and so although using a square wave LFO as a rhythmic gate is a cool idea (and would sound fantastic ... must try this very soon)...
i would like to have different notes playing..
currently working with the ENS-Sine machine.. yes, as mentioned there is no 'hold' parameter, only a decay parameter.
using the LFO of the Sine machine track doesn't quite work... it cuts in to the note too soon or not quite the right time (in my studio experiments that is)...
so, found a workaround: load a blank "GND --" machine in to a slot next to the Sine machine, and set a trig exactly two sixteenths after each GND Sine note in the sequence.
the LFO of "GND --" has the following attributes and is assigned to the DEC parameter of the GND Sine track...
Update: Free
Speed: 47
Depth: 28
Shape Mix all the way right and the Second wave shape is Inverse exponential tweak.
Essentially this allows for the GND Sine note to have a long decay assigned to it, and this then becomes the "Hold" part of the sound.
The "GND--" trig track is there to send an LFO curved tweak-off to the decay.
made a quick example here:
http://soundcloud.com/bboymixers-1/march-1to start with, the "GND--" track is muted, so the long decay notes sound, and then the bassline notes are tightened up by the "GND--".
there is a click sound happening, but that is because i didn't keep the bassline to being straight crotchets, and so the 8th note got in the way, should have placed on a separate track.