Elektron-Users

Just think of this for the machinedrum uw and it works.

take a sample ,( not too short)
set the following parameter:
-start 64
-dec 127
-hold 127

add a square lfo on end parameter, trig mode, depth to 127
play the sample, if the speed of the lfo is not too short the sample will play and never stop,
YOu can now play with the speed for granular effect ...

Nobody have try this ??!!
i assure you , you will have result very different of the retrig.
Am i the last one to discover this !

whoa -- i slept on this. will try it out tonight!

M

howdragonsdisappear wrote:
Just think of this for the machinedrum uw and it works.

take a sample ,( not too short)
set the following parameter:
-start 64
-dec 127
-hold 127

add a square lfo on end parameter, trig mode, depth to 127
play the sample, if the speed of the lfo is not too short the sample will play and never stop,
YOu can now play with the speed for granular effect ...



maybe a good FAQ/Wiki entry?

whoaha totally rad

actuel wrote:
maybe a good FAQ/Wiki entry?

yes yes! I'll explore it then see about posting it.

M

ya,

in fact i use this there's a long time when i was sequencing with cubase the machinedrum.
when you play a sample (start 0 ; end 127) then you change the parameter without retriging before the sample was end (start 127 ; end 0) the play direction will change withou stopping, you can after put again start 0 ; end 127 and it it will play normally, you can do that again ang again ....
I explain this to someone yesterday and have the idea to make this with the lfo...

it was very nice in cubase to make scratch after .. with playing with the pitch and volume ..
http://www.box.net/shared/7cbegh9nbj

I like to do this with some of the noisier samples on my UW. Setting other tracks' LFOs to pitch, filter and the amp modulation parameters, you can dial in convincing shortwave tunings. Throw in a couple of samples and voila, instant Conet Project.

very very nice,

Thanks!

awesome! that is a crafty trick.