Elektron-Users

This is a composite of two passes. The left channel is an impulse on quarter notes at 120 BPM, with all other tracks muted. The right channel is the same impulse track, but with all other tracks unmuted and their mix volumes turned to zero. I wanted to see if there would be a difference. Both passes were recorded to a Sony HiMD MZ-RH1. While I concur with David that a DAW is an acceptable means to capture and present sample-accurate recordings, I have opted to use a dedicated, realtime recording device to address concerns voiced by Nathan and others. Here are the first six peak to peak measurements. 1 to 2: 22016 2 to 3: 22112 3 to 4: 22016 4 to 5: 22048 5 to 6: 22112 6 to 7: 22016 ... You can follow the rest by opening up the wave file in your DAW. There appears to be a periodic fluctuation, but in the first six peaks, it's less than a millisecond at 96 samples. I'm not really concerned about the "musical" effect this entails, but I don't think these numbers are as extreme as the ones David has reported. David, what say you? The right channel, which was recorded with other tracks unmuted, but mixed to silence, is very interesting. You'll note that the first peak lines up exactly with the left channel, but they're all over the place, relatively speaking, after that!

A clip to showcase UW treatment of a piano loop, you can hear how the hold parameter changes the groove and starts resembling a strummed guitar, filter changes, bit-reduction, amd/amf parameters introducing ring modulation and pitch shiftings.

Just a SPS Groove jammed with, some nice sounds I reckon. Still learning the beast tho really. R.

Foundation of a track I'm working on which I turned into a long (boring ?) dub version introducing recently UW upgraded MD and SPL gear (Dynamaxx and Vitalizer MKII), all other sounds are Mono + NL2x partly processed through Mono. One pattern muting/unmuting with CTRL ALL machine handlings.

UW only Dub track with a bit of external reverb on whole mix

hey everyone!. here's 26 base-kicks from jomox basemachine Mbase01. I have and i still use theese fantastic little files, i suggest u do the same!

An experiment made using the MDUW for percussion.

An experiment made using the MDUW for percussion.

Here is a collection of 13 beats created with MD-UW. All sounds are created with MD-UW, then recorded and manipulated with compressors, EQ-plugins, etc in computer environment. While these are not a clear recordings of MD output, they do cover a lot of different sounds what one can do with MD. Backgrounds are MnM.

Here is another 6 beats from MD in the same style as '13 Fresh Beats from MD'.

The original track was 96 kbps!!! qualiti .mp3 file so this is best i can do.

Quick, simple example of the MD time signature/multiplier feature.  None of this is rocket science, but there didn't seem to be an example of this yet, and I was messing around with it anyway...

i hooked up the md to slave  to another sequencer and then played a simple 4/4 beat, changing the MD's multiplier only.

1. The sequencer is playing a simple 4/4 pattern of 4 quarter notes on a separate tone module. Pitch is shifted up on the 4th quarter note to mark the end of the pattern.

2.  The sequencer kicks off the MD's pattern, which is a very simple 4/4 beat.  Again, pitch is changed via param lock on last snare hit to mark the last beat of the pattern.

3. MD and the other box are both played together with the MD's clock multiplier left at 1/1.

4. Both played together with the MD set to a 3/4 multiplier.

5. Both played together with the MD set to a 3/2 multiplier.