Found this - it's rough - no effects - not a good balance but this was all tracked separately to HDR (no loops/no computer/no edits - all realtime sync-recorded) all hardware Dragon/Ear referenced to a tight SRC click. Can't get that sharp with SPS-1 in the soup as it stands. David.
this is another new live recording with my new setup.
the song name was inspired by the news of executing saddam hussein. why not life long prision, that would have been much more effective.
1 pattern, song mode, 14 x EFM CB, 2 control machines to move some filter settings and turn the lights off at the end.
I <3 this machine
-asd
p.s. looks like I accidentally uploaded the 8 meg wav. plz remove?
This is the same SRC Click pattern - this time the [L] click pattern is offset by 2.5ms and has a samll degree of jitter applied (yes the SRC lets you dial-in clock jitter if required so you can match up your sync with sloppy sequencers!) - If I compare this file with the straight one I know which one I want to keep listening too.
An outtake from a jam session. I happened to go to the patterns I had been working on for the impulse MD contest, and, although there is some SH-101 going on--and the MD may or may not have been going through my Sherman FB2--I thought I post it any damned way. As far as the MD sounds are concerned, everything is done with the Impulse Machine.
just a song with the machinedrum played as drum module
thru the spd-s pads thankz to daniel who helped me find a way to play the machinedrum as a electronic drumkit so i did here is the first try out
so Give me some feedback
thankz and greetings from holland
the non technical boy
This is the same click 120 BMP pattern but this time the [L]pulse is driving a Yamaha CS-30 synth Gate Input via a Passive Gate Switch/Sequencer to vary the pattern somewhat. The CS-30 does not have the fastest rise time EG in the world by any means but if you listen you can still hear how tight the pattern sounds against the Quarter Note SRC Click on the [L]. Again zoom in and measure both the durations and the offsets against [L] and [R] - we are talking a few samples here and this has as much to do with the CS-30 EG as anything else. If I had a Minimoog handy they would be even closer.
"I've got a fever... and the only cure... is MORE COWBELL" - C. Walken
Did you know that I like the chemical brothers? You could tell? Of course these tracks are all EFM-CB except 8-CB (ironically) and 16-M4, which are control machines used to turn everything off at the end and change the filter settings of 3-HT, the droney pulsy thing. You would probably want to mute them or erase those tracks in a live situation because they alter the kit in drastic ways that you probably don't want. Note that it's not really playable after the sequence finishes - that's cause of track 8.
-ASD <3 MD
p.s. http://www.radmonkeycowbells.com/